Chrono Compendium
Enhasa Halls - Chrono Series Analysis => Other Topics and the Prerelease => Topic started by: Calldwr on November 17, 2020, 10:22:42 pm
-
Here is my transcription of Chrono Trigger. There are three key centers: bars 1-25 A, bars 26-39 B, and bars 40seq. E. Have a look, and let me know if you have suggestions. Lilypond code below.
\version "2.20.0"
\paper {
#(set-paper-size "letter")
top-margin = 2\cm
left-margin = 1\in
right-margin = 2\cm
ragged-right = ##f
ragged-bottom = ##t
tagline = ##f
}
\header {
title = "Chrono Trigger"
composer = "Yasunori Mitsuda"
arranger = "trans. Ryan Hoopes"
}
tenorSax = \relative d' {
\time 4/4
%set up beaming
\set Timing.beamExceptions = #'()
\set Timing.baseMoment = #(ly:make-moment 1/4)
\set Timing.beatStructure = 1,1,1,1
% set up clef
\set Staff.clefGlyph = #"clefs.G"
\set Staff.clefPosition = #0
\set Staff.middleCPosition = #-4
\set Staff.middleCClefPosition = #-4
\key a \dorian
\partial 4 r4 | \repeat unfold 7 { r1 } | r2.. b8\( |
\repeat volta 2 {
\autoBeamOff e8. fis g8 b,8. fis' d8~ | d2~ d8[\) a16\( b] e[ a8.] |
b b a16[ gis] e2~ | e~ e8\) r4 b8\( | e8. fis g8 b,8. fis' d8~ |
d2~ d8[\) a16\( b] e[ a8.] | b8. b a16[ gis] e2~ |
\autoBeamOn e~ e8\) r4 e16\( fis | g2 a | b4. c4 c \acciaccatura c8 d8~ |
d8 d4 cis16 c b2~ | b2.\) r8 d,8 | e2 g | a g |
fis16 e fis r r2 fis16 e fis r |
}
\alternative {
{ r2.. b,8\( }
{ r1\) }
}
\key b \minor
\repeat unfold 14 { r1 } \bar "||"
\key e \minor
\autoBeamOff
\acciaccatura d'8 e2.. d16[ e] | b8. a b8 e,4 r8 e16[ fis] |
g8. a g16[ fis] e8. d b8~ | b1 | r8 a16[ b] c16[ d8 e16~] e8[ fis] g[ a] |
b8. e,8. d'4 c b16[ c] | b8. a g8 a2~ | a4 r g fis | fis8. g fis8 d8. b e8 |
r1 |
}
timpani = \relative d' {
\time 4/4
\clef "bass_8"
\key a \dorian
\partial 4 r8 e,, | a,4. a2 a8 | a4. a2 a8 | fis'4. fis2 cis8 |
fis4. fis2 fis8 | f4. f2 c8 | f4. f2 f8 | e4. e2 b8 | e4. e2 e8 |
\repeat volta 2 {
\repeat unfold 2 {
a,4. a2 e'8 | a,4. a2 a8 | fis'4. fis2 cis8 | fis4. fis2 fis8 |
}
f4. f2 c8 | f4. f2 f8 | e4. e2 b8 | e4. e2 e8 | c4. c2 c8 | f4. f2 f8 |
r4. a,16 a a2 |
}
\alternative {
{ a16 a a4. e'8 e16 e~ e16 a, a a }
{ a16 a a4. e'8 e16 e~ e16 a, a a }
}
\key b \minor
\repeat unfold 14 { r1 }
\key e \minor
\autoBeamOff
\repeat unfold 2 {
c2. g'4 | c,8. c8. c16[ c] c4. c8 | d2. a'4 | d,4. d16[ d] d8[ d] a'[ a] |
}
\autoBeamOn e16 e8 e16 e8 e16 e8 e16 e8 e16 e8 e16 | e2 r2 |
}
maracas = \relative d' {
\time 4/4
\partial 4 r4 | \repeat unfold 8 { r1 } |
\repeat volta 2 {
\repeat unfold 15 { r1 | }
}
\alternative {
{ r1 | }
{ r1 | }
}
\repeat unfold 56 { d8. 16 } |
\repeat unfold 10 { r1 }
}
snarePattern = \relative d' {
d8[ 8] 16[ 16 8] 8[ 16 16] r[ d16 16 16] |
8[ 8] 8:32[ 8] 8[ 16 16] r[ d16 16 16] |
16[ 16 8] 16[ 16 8] 8[ 16 16] r[ d16 16 16] |
8[ 8] 8:32[ 8] 8[ 16 16] r[ d16 16 16] |
}
snare = \relative d' {
\time 4/4
%set up beaming
\set Timing.beamExceptions = #'()
\set Timing.baseMoment = #(ly:make-moment 1/4)
\set Timing.beatStructure = 1,1,1,1
\partial 4 d4:32 |
\autoBeamOff
\repeat unfold 2 { \snarePattern }
\repeat volta 2 {
\repeat unfold 3 { \snarePattern }
d8[ 8] 16[ 16 8] 8[ 16 16] r[ d16 16 16] |
8[ 8] 8:32[ 8] 8[ 16 16] r[ d16 16 16] | 16[ 16 8] r2 d16[ 16 8] |
}
\alternative {
{ r2 d4:32 d16[ 16 8] }
{ r2 d4:32 d16[ 16 8] }
}
\autoBeamOn
\repeat unfold 12 { r1 } d4\< 4 4 4 | 4 4 8 8 8 16 16\! |
\repeat unfold 2 {
d8 16 16~ 16 16 8 8 8 8:32 16 16 | 8 16 16~ 16 16 8 8 8 8 16 16 |
8 16 16~ 16 16 8 8 8 8 16 16 | 8 16 16~ 16 16 8 8 8 8:32 16 16
}
d16 8 16 8 16 8 16 8 16 8 16 | 4 r2. |
}
crashCym = \relative d' {
\time 4/4
\partial 4 r4 | d1 | \repeat unfold 7 { r1 } |
\repeat volta 2 { d1 | \repeat unfold 13 { r1 } | d2. 4 | }
\alternative {
{ r1 }
{ r1 }
}
\repeat unfold 22 { r1 } d2 4. 8~ | 2. r4 |
}
harpRun = \relative d' {
e32 fis g a b d e fis a, b d e fis g a b d, e fis g a b d e g, a b d e fis g a
}
harp = \relative d' {
\time 4/4
\set Timing.beamExceptions = #'()
\set Timing.baseMoment = #(ly:make-moment 1/4)
\set Timing.beatStructure = 1,1,1,1
\clef treble
\key a \dorian
\partial 4 r4 | \repeat unfold 7 { r1 } | \harpRun |
\repeat volta 2 {
\repeat unfold 15 { r1 }
}
\alternative {
{ \harpRun }
{ \harpRun }
}
\key b \minor
b'8 fis' e fis b fis e fis | b, fis' e fis a fis e fis |
\repeat unfold 2 { cis d cis d a' d, cis d } | b fis' e fis b fis e fis |
a, e' cis e a e cis e | b fis' e fis b fis e fis |
b, fis' dis fis b, fis' e fis | b, fis' e fis b fis e fis |
b, fis' e fis b fis e fis | \repeat unfold 2 { cis d cis d a' d, cis d } |
b fis' e fis b fis e fis | a, e' cis e a e cis e |
\key e \minor
\repeat unfold 8 { b' a b e, b' a b e, } | r1 | r1 |
}
stringsUpper = \relative d' {
\time 4/4
% set up clef
\set Staff.clefGlyph = #"clefs.G"
\set Staff.clefPosition = #0
\set Staff.clefTransposition = #7
\set Staff.middleCPosition = #-11
\set Staff.middleCClefPosition = #-4
\key a \dorian
\partial 4 r4 | <c' e g>1~ | 1 | <a cis e>~ | 1 | <c e a>~ |
1 | << { fis | g | } \\ { <b, d>~ | 1 | } >>
\repeat volta 2 {
<c e g>8^"staccato" r4 <c e g>8 r4. <a d fis>8 |
<c e g>8 r4 <c e g>8 r4. <a d fis>8 |
\repeat unfold 2 { <a cis e> r4 <a cis e>8 r4. <fis b e>8 }
\repeat unfold 2 { <c' e g>8 r4 <c e g>8 r4. <a d fis>8 }
\repeat unfold 2 { <a cis e> r4 <a cis e>8 r4. <fis b e>8 }
\repeat unfold 2 { <a c e> r4 <a c e>8 r4. <g b d>8 } |
\repeat unfold 2 { <b d fis> r4 <b d fis>8 r4. <b d g>8 } |
<g b e> r4 <g \parenthesize b e>8 r4. <b e g>8 |
<c e a> r4 <c e a>8 r4. <c e g>8 | <a d fis> r8 r2 <b d fis>8 r |
}
\alternative {
{ r2 <b d fis>8 r16 <b d fis>8 r16 <b d fis>16 16 }
{ r2 <b d fis>8 r16 <b d fis>8 r16 <b d fis>16 16 }
}
\key b \minor
<a d fis>1^"tenuto" | <cis e a> | <a d fis>~ | 1 | 1 | <cis e a> |
<< { <fis b>~ | 1 | } \\ { e | dis | } >> <a d fis> | <cis e a> | <a d fis>~ |
1 | 1 | <cis e a> |
\key e \minor
b'2. r4 | b2. r4 | d2. r4 | d2. r4 | e2. r4 | e2. r4 | fis2. r4 | fis2. r4 |
<a b e>16 8 16 8 16 8 16 8 16 8 16 | 16 r8. r2. |
}
stringsLower = \relative d' {
\time 4/4
\clef french
\key a \dorian
\partial 4 r4 | b1 | e2 a | b e | a b | c1 | d2 e | fis8. g fis16 d b2~ |
2. r4 |
\repeat volta 2 {
\repeat unfold 15 { s1 }
}
\alternative {
{ s1 }
{ r2 a,8. b16~ b e a8 }
}
\key b \minor
b2..\( a16 g | fis2 d | cis8. d a'8~ 2~ | 1\) | b2.\( a8 b | cis2 d | b1~ |
2\) a,8. b e16 a | b2..\( a16 g | fis2 d | cis8. d a'8~ 2 | 1\) | b2.\( a8 b |
cis2 d\) | <b, e>8^"staccato" 16 16~ 16 16 8 4 r8 <b e> |
8 16 16~ 16 16 8 4 r8 <b e> | <a fis'>8 16 16~ 16 16 8 4 r8 <a fis'>8 |
8 16 16~ 16 16 8 8 8 <a g'>8 8 |
\repeat unfold 2 { <b e>8 16 16~ 16 16 8 4 r8 <b e>8 } |
<a fis'>8 16 16~ 16 16 8 4 r8 <a fis'>8 | 8 16 16~ 16 16 8 8 8 <a d>8 8 | s1 |
s1 |
}
bassGuitar = \relative d' {
\time 4/4
%set up bar numbers
\override Score.BarNumber.break-visibility = #end-of-line-invisible
\set Score.barNumberVisibility = #(every-nth-bar-number-visible 5)
\tempo 4 = 130
\clef "subbass_8"
\key a \dorian
\partial 4 r4 \mark \markup { \abs-fontsize #15 Intro } | a,,4 8 8 r a8 4-- |
a4 8 8 r a8 4-- | fis4 8 8 r fis8 4-- | 4 8 8 r fis8 4-- | f4 8 8 r8 f8 4-- |
f4 8 8 r8 f8 4-- | e4 8 8 r8 e8 4-- |
e4 8 8 r8 e8 4-- \mark \markup { \abs-fontsize #18 \box A } |
\repeat volta 2 {
\repeat unfold 2 {
a4 8 8 r a8 4-- | a4 8 8 r8 a8 a4-- | fis4 8 8 r8 fis8 4-- |
fis4 8 8 r8 fis8 fis4-- |
}
f4 8 8 r8 f8 f4-- | f4 8 8 r8 f8 4-- | e4 8 8 r8 e8 4-- | e4 8 8 r8 e8 4-- |
c4 8 8 r8 c8 c4-- | f4 8 8 r8 f8 4-- | e4 8 8 r8 e8 e4-- |
}
\alternative {
{ e4 8 8 r e8 4-- }
{
e4 8 8 r e8 4--
\mark \markup { \abs-fontsize #18 \box B }
}
}
\key b \minor
g1 | a | b~ | 2 a | g1 | fis | b~ | 2 a | g1 | a | b~ | 2 a | g1 |
fis \mark \markup { \abs-fontsize #18 \box C } |
\key e \minor
\autoBeamOff
\repeat unfold 2 {
c8. g' c8 c,4. r8 | c8. g' c8 c,4 g' | d8. a' d8 d,4. r8 |
d8. a' d8 e[ d] a[ d,] |
}
\autoBeamOn e16 8 16 8 16 8 16 8 16 8 16 | 16 r8. r2. \bar "|."
}
musicaTota = {
<<
\new Staff \with {
instrumentName = \markup {
\center-column { tenor saxophone }
}
shortInstrumentName = \markup {
\column { ten. sax. }
}
midiInstrument = "tenor sax"
}
\tenorSax
\new ChoirStaff <<
\new Staff \with {
instrumentName = "timpani"
shortInstrumentName = "tim."
midiInstrument = "timpani"
}
\timpani
\new RhythmicStaff \with {
instrumentName = "maracas"
shortInstrumentName = "marac."
}
{
\set Staff.midiMinimumVolume = #0
\set Staff.midiMaximumVolume = #0
\maracas
}
\new RhythmicStaff \with {
instrumentName = \markup {
\center-column { snare drum }
}
shortInstrumentName = "snare"
}
{
\set Staff.midiMinimumVolume = #0
\set Staff.midiMaximumVolume = #0
\snare
}
\new RhythmicStaff \with {
instrumentName = \markup {
\center-column { crash cymbal }
}
shortInstrumentName = "cym."
}
{
\set Staff.midiMinimumVolume = #0
\set Staff.midiMaximumVolume = #0
\crashCym
}
>>
\new Staff \with {
instrumentName = "harp"
shortInstrumentName = "harp"
midiInstrument = "orchestral harp"
}
\harp
\new StaffGroup \with {
instrumentName = \markup {
\center-column { arco strings }
}
shortInstrumentName = "string."
}
<<
\new Staff \with
{ midiInstrument = "string ensemble 1" }
\stringsUpper
\new Staff \with
{ midiInstrument = "string ensemble 1" }
\stringsLower
>>
\new Staff \with {
instrumentName = \markup {
\center-column { bass guitar }
}
shortInstrumentName = "bass"
midiInstrument = "electric bass (finger)"
}
\bassGuitar
>>
}
\score {
\musicaTota
\layout {
\context {
\Score \RemoveEmptyStaves
}
}
}
%generate correct midi
\score {
\unfoldRepeats { \musicaTota }
\midi { }
}
-
Awesome! Keep up all this good work on music transcription, Calldwr!